You think you're a Disney professional, but are you?
How should you compensate a remixer? Music rights management comes down to two questions: Who owns what? Who’s owed what? In many musical collaborations, things like copyright and publishing splits aren’t always cut-and-dry. Who wrote what? What are those contributions worth? What does the law say? What do the collaborators feel is fair? There can …
Is there a name for the feeling you get when you hear a favorite song for the first time? Seriously, I'd love to know. It's one of my favorite feelings-getting lost in the notes, not knowing what comes next, but feeling the song pull on you, and work its way through you and back out, leaving a bit o
We spoke to producers Kahn and Richard Dorfmeister about the forms enduring relevance.